«My friends and I», 2018

Knowing the person really (as we think) well, we can find ourselves capable of looking deeper rather than the physical appearance - and fix our glance without resurfacing it. The longer we look, the more vivid the other, more accurate portrait of the person is discovered, directed more on the inside rather than on the outside. And if our eyes don’t fail is, this image will turn out to be more accurate than the pictures of person-shaped costumes fused with our skin.